SubmarineChannel:創(chuàng)意動(dòng)漫頻道是一個(gè)通過(guò)講故事的創(chuàng)意動(dòng)漫模式來(lái)闡述有趣的新鮮內(nèi)容，該工作室利用新技術(shù)創(chuàng)作包括漫畫(huà)、網(wǎng)絡(luò)游戲、網(wǎng)絡(luò)紀(jì)錄片、視頻肖像等創(chuàng)意視頻資源。
SubmarineChannel網(wǎng)站是由Bruno Felix 和 Femke Wolting于2000年創(chuàng)辦，由于近年來(lái)的快速數(shù)字化媒體的發(fā)展，給了他們發(fā)展機(jī)會(huì)，通過(guò)跨媒體、交互式的故事來(lái)表達(dá)各種想法和社會(huì)現(xiàn)象，為用戶來(lái)帶來(lái)了與眾不同的視覺(jué)效果。
Submarine Channel is the world’s premiere destination for original transmedia dramas, documentaries and genre-defying entertainment. The future of storytelling is here. Free Your Screen!
From studios in Amsterdam and L.A, Submarine Channel creates fresh content that exploits new technologies to tell stories in visually exciting, multiple format-friendly ways – including motion comics, online games, web documentaries, and video portraits about pioneering creatives from all over the world. The popular website SubmarineChannel.com streams authored content as well as the best in next-gen cinema by peer creators, attracting a global following of creative professionals across the spectrum.
Submarine Channel is part of the multiple award-winning production outfit Submarine, founded by 2000 by Bruno Felix and Femke Wolting, both pioneers in the Dutch (new) media world. Read their bios and those of the rest of the team here.
In light of the rapid digitization of media in recent years, much rhetoric around developments in new media, transmedia, and interactive storytelling has brought forth over-arching questions around the possibilities and limitations of these new formats.
To these ends, it is the goal of Submarine Channel to create visually-led transmedia projects that explore the possibilities of these new storytelling techniques, researching the parameters of emerging genres such as non-linear film, interactive animation, and digital games – and diffusing this new-found knowledge with audiences both within the Netherlands and internationally, using perse platforms to do so.
Digital storytelling is no longer the niche activity it was when Submarine Channel launched in 2001. What started as a marginal, small-scale creative trend has expanded to become a mainstream, worldwide presence with a global consumer base spanning age, gender and demographic pisions. Hence, in its 12 year existence, Submarine Channel has become a seminal hothouse where the cultural potential of digital media is constantly pushed, generating vital discussion around the transmedial evolution of story.
